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The
aim of Holy Night is to blend an old mystery with a new one; the old
bible story of God being born on planet Earth with the new story of
that same planet being but one tiny dot in a gigantic universe which
had emerged from the deeper mystery of Nothing billions of years before
the Bethlehem event. It's a mix of science and theology in which the
traditional account of the Nativity remains the same (Joseph
and Mary arrive in Bethlehem, find no room at the inn, the baby is born
in a stable, a star hovers overhead) but is now widened into science
fiction mode to include:
First,
Satan. He is the stark and beautiful figure at the beginning of the
story who stands scrutinising the winter sky, having sensed the imminent
arrival of something long awaited: not the coming of a child, of which
he has no notion, but of visitors from another dimension, angelic beings
who were once his kin but have long since been his enemies.
And
here, at last, they are. The point of light which now materialises and
hangs like a star in the night sky carries a specific crew with a specific
purpose. Its commander is Michael, victor of the "war in heaven'
which saw Satan and his angels defeated in battle and expelled into
the world of time and space. With him are Gabriel and Raphael, come
to supervise the birth, plus a band of warrior angels ready to go down
and protect the child if need be. But none of them, not even the archangels,
knows
why this particular mission is so important, since none of them would
presume to ask. The only being who ever questioned God's doings was
Satan - and look what happened to him.
For
Satan, however, what happened then is far from over, and this could
be his chance, having lost the battle, to win the war. First he must
gain access to the starship, which he contrives to do by the simple
expedient of getting himself taken prisoner. Only when he's on board
do his captors realise that it is they who are the captives, for in
his headquarters deep beneath the Earth's surface Satan has trained
on them a weapon of such destructiveness that if they attempt to leave
without his permission,
their starship and everyone on it - including himself - will be annihilated.
Yes, he's prepared to pay that price; and they've known him too long
to doubt it.
Yet
all he wants is the simple chance to meet God again, here, face to face,
for the first time since his Fall. Is that really asking too much? To
the astonishment of the other angels - no, it isn't. Not only does the
Almighty suddenly appear but, even more amazing, it seems that he actually
wants Satan back.
That's
the framework of the plot. The main story themes which then develop
are:
(1)
Satan's deeply cynical view of Creation. Whether you begin with the
anarchic quantum nature of matter itself, or with the macrocosm of an
entire Universe so condemned to expansion that in the end it can only
dissipate into a boundless ocean of dying particles (or, just the reverse,
collapse back under its own weight into the Nothing it came from in
the first place); or whether you pick at random any of the evolutionary
stages in between those extremes, the overriding principle you'll always
find at work is Uncertainty. This is pernicious, destructive and entirely
subversive to the nourishment and growth of an intelligent Universe,
to which Satan is dedicated, and stems solely from the fact that God
has never really known what he's doing.
(2)
This also applies to biological evolution, another anarchic system blatantly
unreliable in producing "the fittest". Its most recent and
dangerous product has been Man himself, with his ludicrously inept neural
structure guaranteeing a constant war between his new human reason and
his old animal instincts. This is a poisonous polarity, and in such
greedy, violent - and now highly inventive - hands the precious gift
of consciousness is being and will increasingly be abused. Such a situation
not only guarantees misery all round but is already on a collision course
with disaster - quite possibly for the entire planet. Unacceptable.
(3)
It is Satan's duty, therefore, indeed his destiny, to put all this to
rights, and he's working (with his scientific staff) on exactly how
to do that. But there's a missing piece in the new model, as simple
as it's huge: the actual power of creation. The need, therefore, is
not to start another war but to educate and persuade a deeply ignorant
God into seeing that he must finally hand that primal power, and the
role
that goes with it, over to this most realistic, disciplined and brilliant
of all his angels. Satan will then be able to re-create Man, planet
Earth, and eventually the Universe itself, into what God might well
have made in the first place if only he'd known how. As far as Satan
is concerned, he's presenting God with a priceless gift; unspokenly,
the ultimate love-token.
(4)
God. Whether he's up in The Star, down in the Creation Room in Hell,
with Mary in the Stable or as a visitor in Joseph's dream - or all of
them at once - God is delighted to find himself being taught about the
world's realities. From Satan's tutorials on the human brain down to
Joseph's lessons in elementary woodwork, he revels in all of it. But
there's a dark side. The more he learns, especially about Man, the more
he realises the terrible amount of suffering which has come with the
emergence of consciousness - and for that. He is responsible. It seems
that the search for I Am is always the prelude to I Hurt.
(5)
So: what to do about it? There's only one way to find out. To understand
his own story he must enter into it and live it; suffering and all.
He'll know what to do when he knows what it means; when he knows
what he is; or even if he is.
(6)
How can God and his rebellious angel come together from such different
positions? The question supposes a wider one, namely: what do you do
about suffering? Do you travel further and faster down the Conquest
of Nature Highway, eradicating every troublesome aspect of life until
in the end (you hope) there isn't any suffering? Or do you accept Life
as a sacred given, whose real purpose is to teach you how to transcend
it? Do you take a worm's-eye view and drill a high-speed tunnel through
the mountain, or do you pull yourself up by your spiritual bootlaces
and toil to the top of it, so that you can experience the truth of its
reality from a higher level? You don't suppose you can do both, do you?
Or do you?
©
Vincent Tilsley 2005
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