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Exploring
the Universe Story
Author:
Victor Anderson
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WHAT DOES
THE
UNIVERSE STORY SHOW The story
of
the development of the Universe is not only a magnificent story which
could be
told for its own sake, but a story with some specific and important
implications. These
“lessons” of the
Universe Story are all things we might believe anyway without ever
hearing the
story, but it does seem to me that the story makes these principles
seem more
grounded in truth and less like “just nice ideas”.
The Universe Story shows: (a) Our kinship
with other things in the
Universe, both living and non-living, through our sharing of a common
ancestry
(ultimately in the Big Bang); we are therefore living surrounded by
things we
have a connection with. (b) The nature of our dependence
on the
rest of the Universe, even reaching to the extent of our bodies being
made out
of elements such as carbon and hydrogen which themselves have an origin
and
history; this can be seen as a sort of factual basis for
“thankfulness”, not
taking life for granted. c) The universe
story tells us about creativity
– the Universe has manifested tremendous changes and incredible
diversity in a
continuous process which we are all products of, contributors to, and
expressions of. (d) The story explains the responsibilities
we each have as members of the dominant species on our planet, with the
enormous impact we have on other species and the significance which our
species
has for the evolutionary process as a whole. (e) It explains the nature of
the existence of
different levels of organisation (sub-atomic particles, atoms,
molecules,
cells, multi-celled organisms, etc.), and enables us to use this as a
way of
understanding the current stage in the process, which is the
development of globalisation
in human organisation. WHAT DOES
THE
SCIENTIFIC NATURE OF THE UNIVERSE STORY IMPLY? What
follows
from the fact that the Universe Story is a scientific story? (a) It is more likely to be true
than the
creation myths of the past. Of
course
the myths of Egypt, Palestine, India, and so on, conveyed and still
convey
important truths, but in a literal sense there is far more evidence
that the
current scientific Universe Story is true as an actual account of how
the
Universe, the Earth, the human species, etc., came into being. It may be a worse story in
some other ways –
it may be less emotionally compelling, less clear as a basis for
organising
society – but in this respect at least it has an advantage, which must
matter
to us if we are concerned about truth.
I
don’t therefore think the universe story simply takes its place as one
creation
myth amongst many. (b) As a scientific story, the
product of a
global scientific community, the Universe Story can be widely accepted
as true by people from a wide range of cultural backgrounds and parts
of the
world. (c) At the same time, it is a
story which can be
complicated and difficult to engage with, both
emotionally and intellectually. Parts
of it are difficult to understand. (d) It is also not a clear-cut
and finalised collection
of objective truths: the story is a provisional one, continually being
changed,
and always a field of debate, including significant disagreements
and
uncertainties. This
is in the nature
of a scientific account. (e) But at the same time, we
need sufficient
tough-mindedness to – provisionally - back particular
theories, views,
and generalisations, and not get so drawn into the uncertainty that we
find the
story just comes to pieces in our hands and turns out to be nothing we
can do
anything with. (f) It is also right to be
critical of science as
it has developed in the West, and sceptical about the way the Universe
Story
has been told, because Western science has grown within a particular
historical
and social context, and therefore bears the marks of that in the form
of the
impacts of imperialism, capitalism, patriarchy, etc., on science. Evolution is one of the
aspects of science
where this can be seen most clearly, especially in views about which
particular
types of humans are at the top of the evolutionary tree. I remember as a child a
book my uncle had,
which included a picture summing up the evolution of life. Right at the top of the
tree, above the
savages and fishes and primitive blobs, there sat a white man in an
armchair,
reading, looking remarkably like my uncle. (f) Western science has also
developed with a
particular psychological style which has emphasised
the
factual/intellectual content of science but very often (though by no
means
always) played down any sense of awe and wonder, or emotional
involvement with
what has been discovered. This
legacy is
one of the things which makes it difficult for us now to move from an
intellectual engagement with the Universe Story to an engagement which
is also
an emotional one. HOW CAN
THE
UNIVERSE STORY BE EXPRESSED THROUGH RITUAL? One of the
ways
in which the Universe Story might be engaged with in our hearts, and
embedded
within our ways of looking at things, is through its expression in
ritual. This works
for some people a lot more than it
does for others. Here
are a few thoughts
which might be explored in practice. One form
of
ritual which has been done is the cosmic walk,
where participants walk
perhaps 1.5 kilometres to represent the past 15 billion years,
contemplate the
formation of galaxies and Earth as they walk along, and are then struck
by the
tiny distance which represents the entire lifetime of the human species. Celebrations
of
the seasons could be adapted to explicitly
emphasise the astronomical
movements which produce them. Another
basis
for ritual is to take a limited set of key events from the Story and
arrange
them spatially, linking them with the directions marked
out in a
neopagan circle. This
works well if we
start in the South-East with the Big Bang as a transition to Fire
(South), the
fire of the initial fireball, from the Air (representing in this case
emptiness, absence) of the East. Then
after the formation of atoms and then galaxies, the South-West is the
formation
of the Earth, which is a process of Fire (South) from the Sun being
turned into
a planet covered mainly in Water (West).
Water is then the element in which life develops,
with the Cambrian
explosion a key stage in that process, and then in the North-West, what
could
fit better than the transition from the Water (West) to Earth (north),
in the
form of the first amphibians? Then
after
dinosaurs and monkeys along with North side, the North-East is the
transition
from Earth-bound (North) creatures to the Air (East), representing
human
consciousness and creativity. Then
we
have the industrial revolution and the potential future ecological
revolution
along the East side, reflecting the development of human consciousness
through
history. Something
else
about evolution that we experience physically is the existence of our backbones,
which are simultaneously central to the story of the evolution of life
on Earth
and central to our own bodies. In
between the worms and the fish in the evolutionary process, something
began
which is within us now whenever we walk, dance, or lie down. In ‘Acrobats of the Gods’,
Joan Dexter
Blackmer says: “A dancer’s training is an investigation, a venture into
one’s
animal ancestry …” MORE QUESTIONS ABOUT THE STORY Question 1:
What is the relationship between the science and the
myth? In order
to
connect emotionally with the Earth Story (or the wider Universe Story)
it is
necessary to “translate” it from a purely scientific form into
something that
people can grasp and feel. This
wasn’t
so difficult with creation stories from earlier cultures, which relied
on
easily understood concepts about the actions of different animals, or
gods
working in very human-like ways. But
can
we emotionally grasp the Earth Story without falsifying it? This falsification (or
oversimplification at
least) might be generated through seeing what happened to different
species as
though these were things which happened to humans, or importing human
ideas
about meaning and purpose where they do not belong. Question 2:
How can we derive ethical conclusions from an
account of what has
happened? The Earth
Story
is an account of what has happened.
But
can we derive from that any ethical conclusions, about right and wrong? Isn’t it possible that
what ought to have
happened is different from what actually did happen?
We are jumping to conclusions if we simply
endorse the long-run direction of what has happened and what we might
guess is
likely to happen in the future. Perhaps
as human beings we should be able to make judgements that stand outside
that:
for example, animal life and its evolution have involved a great deal
of pain
and suffering, eating and being eaten.
How can that provide any ethical standard by which
to determine how
things should be taken forward by human beings? Question 3:
Is there a single Earth Story? A large
part of
the attraction of the Earth Story is that it is a single story which
can
provide an overarching narrative within which a multiplicity of
different
projects and decisions can be located.
Because of its basis in science, and because it is a
global story, it
can provide a focus for unity amongst different peoples in different
parts of
the world. However,
is it as simple as
that? Can’t we tell
the story in
different ways, with different emphases, different interpretations,
different
conclusions? Won’t
we in fact have (and
perhaps this is what we already have) a Roman Catholic version, a
Marxist
version, a New Age version, a Social Darwinist version and so on? Isn’t this just another
field of debate
between different people with many conflicting perspectives, rather
than a
unified grand narrative? Question 4:
Is later better? If we
think we
can derive some sort of ethical, political, or spiritual guidance from
the
Earth Story, this is probably because we are happy to go along with the
direction evolution has taken up to now.
We are therefore implicitly accepting that “later is
better”: for
example human beings are an advance on fish, which are an advance on
bacteria,
and so on. What do
we do then about
extinction crises and their aftermaths?
Were the periods directly after an extinction crisis
an advance on the
periods just before, or do make an exception to the “later is better”
principle
in the case of extinction crises?
If our
species destroys itself, can we say that what replaces it will
inevitably be
better? Would we
say that, in the
aftermath of a nuclear war, a takeover by lichen which could withstand
radioactivity was an advance on what human beings created in the
Renaissance,
simply because the lichen-dominated world came later in the
evolutionary
process? On the
other hand, if we don’t
accept some sense of “progress” based on some judgement about what in
the
Middle Ages was called “the Great Chain of Being”, how do we avoid the
sort of
ultra-egalitarianism which says that the life of a human being
suffering from
malaria has no more value than the life of a mosquito? Question 5:
How do we apply the lessons of the Earth Story to
human history? Teilhard
de
Chardin was clear: there is a definite “principle axis” of evolution,
which for
the past three thousand years can be summed up as “the rise of the
West”. Does this
mean “West is best”? Teilhard
says (in ‘The Phenomenon of Man’):
“we would be allowing sentiment to falsify the facts if we failed to
recognise
that during historic time the principle axis of anthropogenesis [the
development of the human species] has passed through the West… It is not in any way naïve
to hail as a great
event the discovery by Columbus of America.”
However, another way to tell the story is that the
West conquered
through violence and ruthlessness, and therefore it was not the morally
best
culture which won out in the conflicts between cultures, but simply the
one
which was best at conflict. And
what happens
to the analysis now, with the economic and cultural rise of These
questions
all create difficulties for the Earth Story.
However, so powerful is the attraction of the Story,
in my view, that we
will be better off finding answers and moving ahead on the basis of
them than
simply abandoning the idea that the Earth Story has anything useful to
tell
us. And how can we
possibly imagine that
an account of the development of life on Earth, and human history
within it,
has nothing to tell us about the choices which are
open to our species
in the future? It
would be a strange
world indeed if we could derive nothing of value from all this, and we
could
safely ignore it and choose our ethical judgements, religious practices
(or
rejection of them), political projects, and so on, paying no attention
to the
long-term big picture story of what has happened on this planet up to
now. |
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